Saturday, October 17, 2026

Twisted Caddis Larvae

Twisted, speckled wool creates a segmented body with little protrusions suggesting abdominal gills. A spiky blend of squirrel and dark olive-brown Angora goat finishes the thorax. 

Thursday, October 15, 2026

Blue Dubbing

Fun tying with home-blended blue dubbing. Two Quasimodo PT nymphs, with a little color of their own.

Monday, October 12, 2026

Pilsners and Flies

Golden pilsners and a warm afternoon at the vise. All-around caddis larvae and summer spinners in colors for favorite streams, along with small streamers for landlocked salmon.

Budvar, Pilsner Urquell, and a smogarsbord of flies. A pretty chill afternoon.

Saturday, October 10, 2026

From the Archives: An October Albie

October 22, 2017.

One of those late-October albie days you never quite forget.

A beautiful fish, my own-built 10-weight, and my Abel Super 9. The albie took off on a blistering run through the harbor, then wrapped my fly line around a buoy rope. For a moment, I thought I’d lose both the fish and the line.

Somehow, I worked through the mess and brought the fish to hand. A little luck, a little persistence, and one unforgettable fight.

Looking back at this photograph, I can almost feel that fish pulling again. October on the New England coast has a character all its own. Some days stay with you long after the season ends—and make you hope the next one is just around the corner.

Monday, October 05, 2026

Natural Convergences: Europe ↔ New England

The October Caddis of New England, Pycnopsyche, and the great autumn limnephilids of Europe belong to different evolutionary lineages, yet occupy remarkably similar ecological worlds.

On the Crnica in Serbia, the limestone stream enters autumn beneath the same kind of seasonal rhythm that I find in New England rivers thousands of miles away.

Different continents, different genera, different species—but the same beautiful solution to the changing season.

For a fly angler, these connections make October feel almost like Christmas. You begin to look at the river not as two places, but as one enormous natural history.

Pupae illustration: E. Schweibert, from Nymphs.

Saturday, October 03, 2026

Stalled Season

I fished today on a beautiful early autumn day. I picked a protected harbor where, historically, schools of peanut bunker and visible blitzing stripers have been almost a certainty at this time of year.

We had a nor’easter last weekend, but the water was very clean. I found no bait and no fish. The place was completely deserted—dead. There was no sign of life. I saw perhaps three single cormorants, spread out over acres of ocean. Even the birds were gone.

It has been the most difficult striper season I have experienced since I started fly fishing for them in the early 1990s. It feels as though all my usual spots have been more or less dead throughout the entire summer. The hardtail season has also been disappointing for shore anglers.

October is here. I plan to make a few more trips to Rhode Island, but I have given up on the idea of saving the season in any meaningful way.

For now, it is simply a stalled season.

Saturday, September 26, 2026

Ghosts of Summer

The season is changing.

A dram for the farewell to summer, with my trusty Pezon-inspired travel glass rod.

Scarabus seems to belong with the ghosts of past summers.

Tuesday, September 22, 2026

Sisevac — September

I returned to Sisevac on Sunday, a brief visit before leaving Serbia. This was not a fishing trip. My cousin Đorđe and I drove from Jagodina after the family wedding. Along the way, we stopped at an old soda shop and had an early-morning burek in Ćuprija.

The Crnica greeted us with its lazy autumn murmur, already carrying the quiet, nostalgic character of an early fall day. Notonecta swimmers were all over the slower sections, moving busily around. There were no obvious hatches, and I saw little trout activity. Some of the surrounding trees had already begun to turn brown, not from the cold as they would in a New England autumn, but from the prolonged drought. Others were simply becoming darker green or yellow, with that withered look. It was not the sort of day that invited much fishing.

But the low water offered something else: a different view of the river.

Sections that had been too deep, fast, or awkward to approach in May were now accessible. New pockets, seams and small runs appeared between the exposed rocks, and the reduced current made it possible to see much more clearly how the stream divided around the bed structure. Wading and casting positions that simply did not exist at higher water were now possible

Some of these newly revealed sections looked surprisingly fishable. I found myself studying the river rather than looking for rising trout—trying to understand where the current would hold fish when the water returned.

The tradeoff is obvious. There is much less water, potentially warmer conditions, and considerably less visible trout activity. Yet the low autumn flow also exposes another side of the Crnica. The river becomes almost a map of itself, revealing its structure and showing possibilities that remain hidden beneath the higher spring water.

For a short visit, that may have been the most interesting thing I brought home from Sisevac: not a fish, but a better understanding of the river.

Sunday, August 30, 2026

Idylle — La Vie Mobile

I arrived in Belgrade this May. Same time, more or less, as always. The air was smelling of dust and ozone. Acacia fragrance and heavy blooms were teasing my eyes and nostrils.

The forecast showed steady rain. Not the best time to go to Sisevac—to my beloved Kučaj Mountains—yet. We decided to watch the weather and spend a few days in Belgrade.

The following day we went to the Museum of Contemporary Art, one of my favorite hangs in Belgrade. It is one of those places where I utterly feel at home, always surprised with something new, something I possibly never saw before.

We reveled in great, well-known paintings of modern artists of former Yugoslavia. Konjović, Lubarda, Šejka, Barilli, Vučo… And then we arrived at the one which just made me lose my breath.

Idylle – La vie mobile

The brilliant collage of Marko Ristić, a father of Serbian Surrealism. Sonja and I both sighed, and looked at each other. Immediate resonance. The work just blew my mind. Maybe because I saw the subtle irony in it.

The Mobile Life.

Yes, that is my life.

It has been mobile for the past 35 years. Yes, three and a half decades of utmost mobility in every sense. Unsettled. Unexplainable. Idyllic? Beautiful! Romanesque?

We continued walking and looking at paintings, enjoying every step, every floor, every room of the museum.

The rain stopped just when we exited. Belgrade looked both fresh from spring rain, green grass glowing in diffused light, and also tired and worn from the current zeitgeist.

It is a time for change.

Now!

Wednesday, August 26, 2026

Curved-Hook Spinners and Poodle Para-Ants

A couple of recent experiments from the vise. Think: late-season ant swarms and early-autumn Heptageniid spinners.